{"id":93,"date":"2014-06-09T19:00:45","date_gmt":"2014-06-09T19:00:45","guid":{"rendered":"http:\/\/stonetelling.com\/blog\/?p=93"},"modified":"2014-06-10T00:04:17","modified_gmt":"2014-06-10T00:04:17","slug":"st-body-interviews-emily-jiang-good-enough","status":"publish","type":"post","link":"http:\/\/stonetelling.com\/blog\/?p=93","title":{"rendered":"ST Body interviews: Emily Jiang, &#8220;Good Enough&#8221;"},"content":{"rendered":"<p>Today&#8217;s interview features Emily Jiang, who contributed to the Body issue with her poem &#8220;<a href=\"http:\/\/stonetelling.com\/issue10-jan2014\/jiang-enough.html\">Good Enough<\/a>&#8220;. This is Emily&#8217;s sixth appearance in the magazine. In addition to poems like &#8220;<a href=\"http:\/\/stonetelling.com\/issue1-sep2010\/jiang-self-portrait.html\">Self-Portrait<\/a>&#8221; and &#8220;<a href=\"http:\/\/stonetelling.com\/issue8-aug2012\/jiang-merciful.html\">Merciful Deity<\/a>&#8220;, she also had a nonfiction article, &#8220;<a href=\"%20In Search of Truth and Beauty within the Intersection of Multicultural Myths and Poetry\">In Search of Truth and Beauty within the Intersection of Multicultural Myths and Poetry<\/a>&#8220;, that appeared in Issue 5.<\/p>\n<p><a href=\"http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/IMG_6946-smaller.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-141 aligncenter\" src=\"http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/IMG_6946-smaller-200x300.jpg\" alt=\"Emily Jiang\" width=\"200\" height=\"300\" srcset=\"http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/IMG_6946-smaller-200x300.jpg 200w, http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/IMG_6946-smaller-333x500.jpg 333w, http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/IMG_6946-smaller.jpg 667w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><em>Emily Jiang loves speaking with her hands and is happy to teach anyone the ASL signs for &#8220;Release the Kraken.&#8221; Her poem &#8220;Good Enough&#8221; holds two truths and a lie. Her less autobiographical poetry can be found in previous issues of Stone Telling, Strange Horizons, and Goblin Fruit and in the forthcoming anthology In Other Words. She is the author of Summoning the Phoenix: Poems &amp; Prose about Chinese Musical Instruments, illustrated by April Chu and published by Shen&#8217;s Books, the newest imprint of Lee &amp; Low. Summoning the Phoenix will be available in Spring 2014. Emily also blogs about multicultural children&#8217;s literature and other topics at <a href=\"http:\/\/www.EmilyJiang.com\">EmilyJiang.com<\/a><\/em>.<\/p>\n<p>My fingers are too small<br \/>\nto span an octave<br \/>\nof the piano,<br \/>\nso I broke the chords<br \/>\nto suit my hands.<\/p>\n<p style=\"padding-left: 30px;\">&#8211; from <a href=\"http:\/\/stonetelling.com\/issue10-jan2014\/jiang-enough.html\">Good Enough<\/a><\/p>\n<p><strong>ST: What inspired this particular poem? What would you like readers to<\/strong> <strong>know about your context, and how it relates to your poem?<\/strong><\/p>\n<p>I wrote &#8220;Good Enough&#8221; specifically to submit to Stone Telling for its Body Issue. The body focus for the poem is hands, specifically mine. I already had a &#8220;Feeling My Feet&#8221; poem that focused on reclaiming dancer&#8217;s feet, so I thought a poem about musician&#8217;s hands would be a nice companion piece.<\/p>\n<p>Ten fingers, ten toes,<br \/>\nTwo ears, one nose&#8211;just reach out&#8211;<br \/>\ntouch, hear, smell the rose.<\/p>\n<p>The first lines &#8220;My fingers are too thick \/ for strings \/ of the violin&#8221; was a line that stuck with me since I was sixteen. I was playing a Bach violin-piano duo in the Junior Bach Festival, and the violinist, also sixteen at the time, told me my fingers were too thick to play the violin. And I believed her, for years, until I watched a video of Isaac Perlman playing the violin. The man is a virtuoso, and his fingers are definitely thicker than mine, yet he can make a violin sing so sweetly. He still performs in public, and he&#8217;s in his sixties. I love it when artists defy expectations.<\/p>\n<p>He plays with eyes closed,<br \/>\nhead tilt to the left, absorbed.<br \/>\nHear his fingers fly.<\/p>\n<p>I&#8217;ve always disliked how my hands looked, and &#8220;Good Enough&#8221; was a way for me to not only address them, but to celebrate them.<\/p>\n<p>Beauty is not just<br \/>\nin the being. It&#8217;s also<br \/>\nin the work-doing.<\/p>\n<p><strong>ST: Is the Body a central theme in your work? If so, what other works <\/strong><strong>of yours deal with it? If not, what called you to it this time?<\/strong><\/p>\n<p>Body is a theme I&#8217;ve thought deeply about for a quite some time. Growing up Asian-American in Texas, I was keenly aware that my body, and therefore my appearance, was foreign and Other to pretty much everyone I met. The visual body is often what we are judged upon the most, yet it does not completely define who we are. As an undergrad, my senior poetry collection was themed on Body and Family. I wrote about hair, pierced ears, more hands\/fingers, Buddha belly, and a strawberry tumor.<\/p>\n<p>Strawberry tumors<br \/>\nare benign. Buddha bellies<br \/>\nhold the world&#8217;s sorrows.<\/p>\n<p>Currently I&#8217;m working on a YA novel about an Asian-American teenager dealing with a sudden growth spurt and weight gain while everyone around her remains petite and un-empathetic. It&#8217;s supposed to be funny, but there&#8217;s a lot of pain infused in the humor, too.<\/p>\n<p>When my body grows<br \/>\ntoo big, I&#8217;m invisible.<br \/>\nThat&#8217;s when I can laugh.<\/p>\n<p><strong>ST: What else would you like to tell our readers about your poem?<\/strong><\/p>\n<p>I must confess reading &#8220;Good Enough&#8221; aloud was the most difficult recording I&#8217;ve had to do. You probably can&#8217;t tell, but I kept crying, probably because it&#8217;s one of the more autobiographical poems I&#8217;ve written in a long, long time (It contains two truths and a lie). The audio portion of &#8220;Good Enough&#8221; has a soundtrack that hopefully reflects the emotional context of the poem, and I am very thankful for the support of my musician friends and their beautiful voices.<\/p>\n<p>Here&#8217;s hoping something<br \/>\nI&#8217;ve written that makes me cry<br \/>\nwill touch someone else.<\/p>\n<p><a href=\"http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-156\" src=\"http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover-300x244.jpg\" alt=\"Summoning the Phoenix book cover\" width=\"300\" height=\"244\" srcset=\"http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover-300x244.jpg 300w, http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover-1024x833.jpg 1024w, http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover-614x500.jpg 614w, http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover-500x407.jpg 500w, http:\/\/stonetelling.com\/blog\/wp-content\/uploads\/2014\/04\/EmilyJiang-SummoningPhoenix-cover.jpg 1027w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>ST: Do you have any upcoming projects you might like to talk about?<\/strong><\/p>\n<p>My debut picture book is called <em>Summoning the Phoenix: Poems &amp; Prose about Chinese Musical Instruments<\/em> and it is published by Shen&#8217;s Books, which the newest imprint of Lee &amp; Low Books.<em> Summoning the Phoenix<\/em> is gorgeously illustrated by April Chu and was released in April 2014. Links to previews of poetry and art on my web site: <a href=\"http:\/\/www.emilyjiang.com\/books\/\">http:\/\/www.emilyjiang.com<\/a>.<\/p>\n<p>If you can summon<br \/>\na phoenix, feathers aflame,<br \/>\nyou&#8217;ve played true music.<\/p>\n<div class=\"gmail_default\" style=\"font-size: 13px;\">Also, I have a poem &#8220;Self-Portrait&#8221; that will be reprinted in an anthology <i>In Other Words<\/i>, edited by Saira Ali and Julia Rios. \u00a0It will be a limited edition chapbook &amp; an e-book. \u00a0I&#8217;m delighted to be a part of this wonderful project in support of Con or Bust. \u00a0<i>In Other Words <\/i>will be available in July 2014. \u00a0Plus, &#8220;Self-Portrait&#8221; was originally published in the very first issue of <i>Stone Telling<\/i>!<\/div>\n<div class=\"gmail_default\" style=\"font-size: 13px;\"><\/div>\n<div class=\"gmail_default\" style=\"font-size: 13px;\"><\/div>\n<div class=\"gmail_default\" style=\"font-size: 13px;\">Poetry gives voice<br \/>\nto identity and space<br \/>\nto navigate dreams.<\/div>\n<p>&nbsp;<\/p>\n<p><strong>ST: Thank you very much, Emily!<\/strong><\/p>\n<p>_____<\/p>\n<p>If you enjoyed this poem and the interview, please consider letting the poet know! Also, we now have a <a href=\"http:\/\/www.patreon.com\/stonetelling\">Patreon<\/a> page, and would appreciate your support.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today&#8217;s interview features Emily Jiang, who contributed to the Body issue with her poem &#8220;Good Enough&#8220;. This is Emily&#8217;s sixth appearance in the magazine. In addition to poems like &#8220;Self-Portrait&#8221; and &#8220;Merciful Deity&#8220;, she also had a nonfiction article, &#8220;In &hellip; <a href=\"http:\/\/stonetelling.com\/blog\/?p=93\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-93","post","type-post","status-publish","format-standard","hentry","category-contributor-interviews","category-stone-telling-10"],"_links":{"self":[{"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=93"}],"version-history":[{"count":10,"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/93\/revisions"}],"predecessor-version":[{"id":180,"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/93\/revisions\/180"}],"wp:attachment":[{"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=93"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=93"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/stonetelling.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}